Landscapes: Studio Works & Plein Air

Studio Works

The practice of  ‘en plein air’ painting informs my studio works greatly. Although the swift recording of a scene in the open air is hard work (the light changes quickly!), I’m extremely fortunate to have some hilarious and talented colleagues who also thrive on this challenge. Creating quick tonal or colour studies while on location retains the ‘feel’ or impression of the day and place. In the studio I will often loosely, quickly ‘play’ with a scene (alla prima – all in one sitting), referring to my plein air work and photographs. The larger composition is committed to paper, this line drawing is then transferred to the canvas or cradleboard. While it may seem that all the major decisions have been made by this point, surprises often happen during the actual painting process itself. Whether in oil or acrylic, a large landscape can take days or weeks to complete.

Plein Air

The joy of painting near water on a sunny day transends to bliss with the addition of a dog and loved ones’ laughter. Speed is key, as the light rapidly changes. Happily, this requires a lot of practice.

Alla Prima

Alla Prima is a traditional technique of painting wet in wet, completing the composition quickly. Literally translated from Italian it means “all at once”. I differentiate this category from plein air as I am usually in studio, working from photos & sketches accumulated while I’m out & about. This is a great means of exploring compositional possibilities & warming up for a larger studio painting.

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